1,626 Royalty-Free Audio Tracks for "The Note"

Can use without credit but i'd love to see where it's used so don't be shy to share your work with me!. Made by randomly mashing the high notes on my keyboard and having the reverb all the way up and the dry down. Simple but very effective. Https://soundcloud. Com/distant-cry.

It's a repetition of 3 medium notes in an old and unadjusted piano in a tourism house in the camping montseny, near to barcelona. Sound take with compact camera olympus stylus 820.

On the saxophone, using a specific set of fingerings one can "play" two notes at once. This creates a clashing, almost chewbacca-like sound that can be utilized in some specific settings to create a certain effect.

From high to low the notes are e, f#, d#, b, f#. Has a nice suspended sound. Slice it up and turn it into a pad.

I came up with this melody while testing my new korg kronos 2. This playing style is common in the balkans.

This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Phaeton, was a son of the sun god, helios and the oceanid, clymene in greek mythology. He asked his father helios for permission to drive the solar chariot, but his team killed him.

Mbira, kalimba, thumb-piano i recorded for a friend. Applied noise reduction so some artifacts are audible, but other wise a decent recording. It includes the notes, and some chords and waw waw fx caused by intermittently blocking a hole in the kalimba's resonant body.

Heavy effects sorta space type of intro then changes into a arena rock 80’s style of riff then some single notes to let the effects ring out (with a hint of slop).

Money counter counting out 50 notes in rapid succession. Recorded inside a office using rands as the chosen currency. Motors continue to make noise for a second after the money has been counted. Recorded using a zoom h6 recorder.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity Modifications Levels adjustment - a basic linear tweak, with the lower notes being slightly quieter and the higher notes slightly louder. Also removed a slight tapping noise in the beginning, before the singing starts.

Sampled of a ludwig 14 inch by 6. 5 inch black beauty snare drum. This is one of the most popularly recorded snares of all time. Enjoy!.

Una guitarra acústica tocando las notas mi y la. Grabada con una zoom h6. An acoustic guitar playing the e and a notes. Recorded with a zoom h6.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.

An mp3 recording of a blood-curdling scream which slightly reverberates. Made by me screaming into the piano while holding down the pedal, which makes the notes vibrate in tune with the voice. The scream is a little weird because i couldn't do it very realistically. :-) recorded with a black sony digital ic voice recorder.

Today i want to write about a song. A song that can bring any one alive , a song that will make your future. A song that will make you who you really are!!!. "listen to the sound of typing this sentence".

Recorded with an iphone 8+ with the preinstalled app voice notes and mastered, chaged tone, eq and noise reducted with audacity,.

Quiet water dripping from a kitchen sink tap, with a rate going from approximately 99bpm down to 94bpm by the end of the recording. Captured with my smartphone's voice notes app. There's also some human voices in the background, possibly from another room or a tv.

Alert (!) or surprise sound effect directly inspired by the popular sound from metal gear solid. Performed live not quantized or synchronized to any particular tempo. The notes used in this performance should be the same notes used in the original game's sound (unconfirmed) detuned a few cents upward. Tools used:- fl studio by image line- dexed by digital suburban- edison by image line. If you'd like me to create any sounds for your next project, don't hesitate to ask. I'd be happy to help. As this sound isn't exactly a completely original creation or composition. I've set the license to cc0.

A sample of 4 quick hammered notes (a,b,d,e)on a electric guitar using the neck pick up. I recorded it through a pod xt and an old 4 track. It was cut from a song i recorded for my solo project "the heirs of rockefeller".

Simple dreamy pad that i might be using in a track, created using the calf plugins. A single file containing several octaves of c and g notes, suitable for cutting, looping and sampling. Have fun!.

I hope you feel this one too. . . It's deep is a quick 16-bar loop with a sweet guitar chord over deep bass notes. Perfect for using as a background into/outro tune with some vocals over the top. Enjoy. . .

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

A "wah wah" sound produced using the right hand in the bell of a horn. Makes a great comedic effect for "fail" or "you lose" situations. Notes: f4, e4, d#4. Recorded with a zoom h4n placed about a metre behind the bell.

Whitney music box, unnumbered variation. This is similar to variation 1, except that the music is played by a piano, and only 40 notes are used, instead of 48, to keep the pitches within a more listenable range. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v0.

Unusual song short 27. Wrote/recorded an unusual song. Using stock plugins in ableton live 9. Used ezbass from toontrack for the bass. Recording guitar direct into scarlet 18i20. Additional notes:-13. 4 lufs integrated-3. 6 db true peak max.

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Six or so ticks, then a single ding! as the timer goes off. Timer removed from an infra chef halogen oven during repair. Recorded with "voice notes" on an iphone and edited with "amadeus pro" on a mac, but don't hate it for that.

Low distortion, almost surf rock but a bit of country. Or more western than country. Maybe even call it somebody trying to run out of texas into new mexico only for the engine to sputter every few seconds.

Often use wine glasses in musical scores so i created my own recordings. I've used these many times and wanted to share. Kind-of reminds me of soundtrack for the dark knight.

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

Wrote/recorded a beat song with mixed synth and percussive elements. 4 chords used:bm d em gthroughout the entire audio. Additional notes:-11. 7 lufs integrated-0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.

808 drum-machine pattern with oldschool monopoly stab/chord. Notes played:. G4 d#4g4d5 f#5c5g4. Dfx buffer override is applied on the 808 kick/lg pattern to add a bouncy style. Can also upload individuals sounds/tracks if asked. . .

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

Grinding a single cup of espresso by hand in a peugeot coffee grinder. It was recorded with a maono au-903 usb mic pointing at the grinder, and set to cardioid. (i'm new to sound recording so i'm taking lots of notes to try and learn what works best. ).

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

Myself singing an excerpt that i later took a few hours to take apart and put back together. I don't use the sampler, it's just the notes are out of order. I used this in my song violet town: https://soundcloud. Com/user-32192831-668958257/violet-towni hope someone can find it useful.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook